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A failed novelist's inability to pay the bills strains relations with his wife and leads him to work at an escort service, where he becomes entwined with a wealthy woman whose husband is a successful writer.
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Spare, raw, resolved and contemplative.
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At a relatively modest 106 minutes The Man from Elysian Fields is still a little too long – and yet I can see why director George Hickenlooper would hesitate to edit out the scenes where Mick Jagger shares screen time with Anjelica Huston. These scenes add nothing and lead nowhere, but darn it, they have Mick Jagger and Anjelica Huston in them. The problem is that the Jagger character is little more than a narrator, and should exist only to introduce Andy García into the world of male escorting; whatever he does in his spare time, and with whom he does it, has no bearing whatsoever on the plot and is therefore of zero interest to the audience. Anyway, luckily for Andy, though rather unbelievably in general, his experience as a glorified gigolo involves one single solitary customer who, as expected, is rich and lonely, but also very beautiful and about his same age, and to cap it all, married to his hero, played by James Coburn, who not only is quite at peace with his wife procuring herself a sexual surrogate, but also willing to let García help him rewrite his next novel. Uh huh. Improbabilities aside, the whole triangle business is the best part of the movie (with Coburn effortles
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Answer first; then see how everyone, and your circle, split.
“Is Andy Garcia the best thing in The Man from Elysian Fields?”
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“Is the slow pace a feature rather than a flaw?”
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“Does the smallness hold it back?”
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