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When the lovely Princess Parisa is shrunken by wicked Sokurah the Magician, Sinbad must embark on a quest to an island of monsters to cure her and prevent a war.
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Resolved, plot-driven, unpretentious and effortless.
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Written by TMDB members; each links to the original. Not part of Taste Buds's numbers.
I really enjoyed this film as a kid - and that's because, like in so many of these Sinbad films, the visual effects from Ray Harryhausen are great and here Torin Thatcher's efforts as the malevolent and scheming "Sokurah" work really well too. Kerwin Matthews does fine as the hero, hoping to be married to the princess "Parisa" (Kathryn Grant) until they run into the aforementioned magician whom they rescue from an island. Thing is, he really wants to get back there armed with a mighty crossbow. "Sinbad" is, however, completely loved up and has no intention of returning once they reach Baghdad, so the evil one conjures up a spell that turns the princess into something a little more diminutive. You help me get back to my island and I'll restore "Parisa" from bite size. With caliphs and their armies ready to start a war over their predicament, "Sinbad" is left with no choice than to trust the plotting sorcerer - and yep, betrayal looms large. What's all the fuss about? Why does he want to get back so urgently? Well - that's down to the kindly but all-powerful genie (Richard Eyer) who must obey the person who says the magic words. Can our intrepid sailor fend off his foe, restore his l
Read the whole review on TMDBDynamic Dynamation. Captain Sindbad and his crew land on the island Colossa and come under attack from a Cyclops. Aided by the magician Sokurah and his magic lamp, they manage to escape back on board with their lives intact. However, the lamp which contains a helpful genie, is left behind in the Cyclops' hands. Once back in Bagdad, Sokurah sets about getting a crew together to reclaim the lamp off of Colossa, but the chiefs of Bagdad refuse to sanction such action. After failing to impress all with his magic tricks, Sokurah shrinks the princess of Bagdad to the size of a hand, then craftily offers to restore the princess to normal the next day. Only trouble being that the ingredients needed for the cure are of course on Colossa. So Sinbad and his men, and the dastardly magician, set sail for an adventure that is fraught with danger... Stop-motion maestro Ray Harryhausen, for his first film in colour, delves into the mythical legend of Sinbad The Sailor. Thus, along with director Nathan Juran, putting life into the Sinbad legacy that had been viewed as a no go area after less than favourable responses to prior attempts at the legend. Though not adhering to the Persian fable source,
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Closest on the same fourteen dimensions, from everything scored on Taste Buds. Other media included when they land close.
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“Would a little humor have helped?”
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“Has The 7th Voyage of Sinbad aged badly?”
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“Is it style over substance?”
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