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Thriller, Drama, Mystery 114 min NR
Rotten Tomatoes68%Metacritic54IMDb
Suddenly, last summer, Cathy knew she was being used for something evil!
The only son of wealthy widow Violet Venable dies while on vacation with his cousin Catherine. What the girl saw was so horrible that she went insane; now Mrs. Venable wants Catherine lobotomized to cover up the truth.
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Contemplative, intimate, bleak and spare.
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Simone Signoret pipped both of these women to the Oscar but Liz Taylor did take a Donatello for her powerful performance in this controversial psychological drama. She is the young “Miss Catherine” who looks like she is destined to go under the scalpel for a lobotomy. Why? Well her ostensibly well-meaning and very wealthy aunt “Violet” (Katharine Hepburn) is convinced that she is a danger to herself and those around her, and so is promising the ground-breaking young doctor “Cukrowicz” (Montgomery Clift) a million dollars for a new hospital building in return for him evaluating and then putting her neice out of her misery. Luckily for the patient, this doctor isn’t so much of a pushover and so determines to dig deeper into this woman’s history. That’s when he begins to learn more of a rather claustrophobic dynamic between “Violet”, her poet son “Sebastian” and this young woman with whom he went travelling once before his untimely, and largely unexplained, demise. Just what did happen and could it be the cause of the trauma for both of the women in his life? Whilst this isn’t really one of my favourite Tennessee Williams plays it does feature some of his best writing and this film re
Read the whole review on TMDBHoward Hawks defined a good film as “three good scenes and no bad ones.” Suddenly, Last Summer has four very good scenes dominated by one of the two great great actresses who play the leads – or, in one instance, both. These are long scenes but never boring, and we are at all times bolted to our seats, our eyes glued to the screen; Katharine Hepburn and Elizabeth Taylor give different, even contrasting performances – the one as a crazy, rich, old lady who feigns sanity, the other as a traumatized yet sane young woman who is “classified as violent” –, but the result is in either case nothing short of magnetic : we can’t stop looking at Taylor, and we dare not look away from Hepburn (after all of her scenes had been shot, Hepburn reportedly spat in the faces of director Joseph L. Mankiewicz and producer Sam Spiegel). We are drawn toward, and gravitate around, the two of them – not unlike the other characters (as few as one and as many as the rest of the main cast in any given scene), who are little more than bystanders, the actors who portray them VIP audience members fortunate enough to watch a pair of masters of the craft from up-close. Actually, there is one other presence looming
Read the whole review on TMDBTalk is never cheap when sourced from Tennessee Williams. Millionairess, Violet Venable is obsessed with her now dead son, Sebastian. Sebastian met his untimely end whilst on vacation with his cousin Catharine, an end that has sent Catharine almost to the edge of insanity. Violet, very concerned about Catharine and her hurtful ramblings, enlists brain surgeon Dr. Cukrowicz to see if he will perform a lobotomy on the poor girl, but as Cukrowicz digs deeper, motives and facts come crashing together to reveal something far more worrying. As one expects from a Tennessee Williams adaptation, this picture is very talky, perhaps borderline annoyingly so? Yet it has to be said that for those willing to invest the time with it, the pay off is well worth the wait. Suddenly Last Summer is an odd mix of campy melodrama and Gothic horror leanings, a mix that personally doesn't quite hit all the intended spots. It could have been so different, though, for if Gore Vidal and Joseph Mankiewicz had been given free rein back in this day of code restrictions, well the picture would surely have been close to masterpiece status. This adaptation only gives us little snippets on which to feed, we are awar
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