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An awkward office drone becomes increasingly unhinged after a charismatic and confident look-alike takes a job at his workplace and seduces the woman he desires.
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Bleak, prestige, open-ended and intimate.
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In “The Double,” Jesse Eisenberg wears his persona (who has a double) like a reversible coat, switching from loser to charmer by adjusting his posture and the angle of his brows.
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Answer first; then see how everyone, and your circle, split.
“Is the ambiguity a cop-out?”
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“Is the polish hiding a lack of heart?”
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“Is this Richard Ayoade's best work?”
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