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300 years of a remarkable musical instrument. Crafted by the Italian master Bussotti (Cecchi) in 1681, the red violin has traveled through Austria, England, China, and Canada, leaving both beauty and tragedy in its wake. In Montreal, Samuel L Jackson plays an appraiser going over its complex history.
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Contemplative, epic, nostalgic and meticulous.
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Anthony Tommasini reviews Suite from The Red Violin by John Corigliano in premiere by Eos Orchestra and violinist Joshua Bell at Society for Ethical Culture; suite is derived from Corigliano's score for the forthcoming film The Red Violin; photo (M)
Data provided by The New York Times.
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“Is The Red Violin too earnest?”
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“Is the slow pace a feature rather than a flaw?”
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“Would a little humor have helped?”
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If you loved this film, the television, the book, the music, the game.
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