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There’s a method to the madness.
When Mona Friedman is cast in a bit part at a small community theater, she transforms from a shy, unassuming housewife into a zealous method actor willing to do anything to protect the artistic integrity of her marginal role—even if it means waging war against the show’s domineering director.
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Intimate, spare, warm and effortless.
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“Is Julianne Moore the best thing in The Debut?”
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“Does the smallness hold it back?”
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“Is it funnier than it is smart?”
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If you loved this film, the television, the book, the music, the game.
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