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Drama 104 min
Rotten Tomatoes52%Metacritic53IMDb
An American filmmaker faces challenges and self-discovery as she arrives in Paris for Fashion Week on a life-and-death journey.
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Raw, prestige, contemporary and bleak.
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When one hears the French word “couture” (or, as it’s often more fully termed, “haute couture”), one generally thinks of the concept of “high fashion,” a symbol of sophistication and elegance expressed through clothing. In turn, the word also often connotes the industry that grew up around this sartorial artform, one that got its start through the craft of sewing and has since spawned the alternative meaning “stitches” or, when applied more metaphorically, “connections,” particularly where the women who have become the representatives of couture are concerned. And, over time, the women of couture have become a diverse sisterhood of sorts, one connected by their commonality as symbols of fashion and as exploited participants in the industry in which they work. It’s a complex set of variables simultaneously at play, one that the latest offering from director Alice Winocour struggles mightily to capture through a drama focusing on the lives of three women during Paris Fashion Week. The result, however, is a largely unfocused production whose story threads only skim the surface of their potential and largely fail to enliven the development of those aforementioned connections. This make
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“Is Angelina Jolie the best thing in Couture?”
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“Is the roughness the point?”
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“Is Couture prestige bait?”
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