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Sleeps Six Bloody Comfortably
In a remote part of the countryside, a bungled kidnapping turns into a living nightmare for four central characters when they cross paths with a psychopathic farmer and all hell breaks loose.
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Intimate, unpretentious, spare and plot-driven.
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It's a comedy with bite, right to the end. Two brothers, David & Peter, kidnap Tracey, the daughter of local tough guy gangster Arnie, they hold her to ransom for the sum of £100,000. What they hadn't bargained into the equation is that Tracey is one tough feisty lady, and that a turn of events will lead them to something far more scary than big bad gangster Arnie. This is the second feature from director Paul Andrew Williams, and bearing in mind that his debut effort was the highly lauded gritty drama London To Brighton, it's no surprise to find that some folk are a little bemused as to the genre splicing nature of The Cottage. The Cottage is far more in keeping with Christopher Smith's 2006 horror comedy, Severance, and certainly it wouldn't be out of place as a double bill with that criminally undervalued picture. Very much a film of two halves, this picture is likely to prove a very divisive piece, and it will (has) only find an audience based on word of mouth alone. You will be hard pressed to find any sort of press marketing that will prepare you for the type of genre fusion film you are getting. Already, based on the comments written on this site thus far, you can see that s
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Closest on the same fourteen dimensions, from everything scored on Taste Buds. Other media included when they land close.
Recommendations from TMDB. Opening one adds it to Taste Buds
Answer first; then see how everyone, and your circle, split.
“Is Andy Serkis the best thing in The Cottage?”
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“Is it actually scary?”
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“Does the smallness hold it back?”
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