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When the most wanted man in America surfaces in a small Kentucky town, his violent history -- and a blood-thirsty mob seeking vengeance and a king’s ransom -- soon follow. As brothers face off against one another and bullets tear the town to shreds, this lightning-fast gunslinger makes his enemies pay the ultimate price for their greed.
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Unpretentious, relentless, plot-driven and bleak.
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Gunslingers (2025) is an uncannily on-point, accidental self-allegory. The movie is set in Redemption, which would be your standard frontier town with a wide Main Street, a saloon, and a room over the saloon occupied by a sexy hooker were it not that it was founded and it’s mostly populated by wanted criminals who have faked their deaths with one another’s help to escape persecution — a rather unlikely, quite possibly unheard-of Town with a Dark Secret/Close-Knit Community hybrid. The film stars Stephen Dorff, Heather Graham (whose character rents a room over the saloon and is called a “whore” once, although I’m pretty sure it’s figuratively), and Nicholas Cage wearing a bowler hat and cross-shaped dark glasses that he never takes off, and speaking like a Scratchy-Voiced Senior. I suspect these aren’t performance quirks so much as a legitimate attempt to lie low. In this film, their characters come to Redemption to become unwanted. In real life, these actors are drawn to obscure, anonymous pictures like Gunslingers because they have become unwanted. Redemption’s graveyard is filled with empty coffins, the void within representing what these individuals’ careers have come to. I’m a
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