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Crime, Thriller, Horror 121 min R
Rotten Tomatoes16%Metacritic35IMDb
It started with revenge.
The story of the early, murderous roots of the cannibalistic killer, Hannibal Lecter – from his hard-scrabble Lithuanian childhood, where he witnesses the repulsive lengths to which hungry soldiers will go to satiate themselves, through his sojourn in France, where as a medical student he hones his appetite for the kill and learnt sword skills from his Japanese girlfriend, who happened to have similar fate
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Bleak, unpretentious, raw and resolved.
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Written by TMDB members; each links to the original. Not part of Taste Buds's numbers.
What made Hannibal the beast he was? Indeed, director Peter Webber and author Thomas Harris bring us Hannibal Lector (ne: Lecter) the formative years. Off the bat you have to say it's not overtly a horror film, something which has proved to have annoyed many who ventured in expecting something different. Which on one hand is a shame because it's a very effective thriller, ripe with literary smarts and boasting some very good acting performances. While there is horrors around, genuine ones that history has taught us as fact. On the other hand it is a disappointment to fans of the Hannibal series, and to horror fans in general. The marketing didn't help, it was sold to all and sundry along the lines as the cannibal begins in earnest, thus nobody was quite prepared for the fact Hannibal was a normal kid once, even human! Once the pic kicks into being a revenge killer thriller, it lacks an emotional wallop, with the screenplay shaking too many eggs in the basket and not coming up with a tasty fava bean based omelet. Smart tech credits help to still further keep this out of stinkerville and above average, but the heavy feeling of missed opportunities and poor writing hangs heavy as the
Read the whole review on TMDBI’ve always equated Hannibal Lecter with the Shark from Jaws. Sure, the good doctor is a more entertaining host — until he gets peckish — but they both essentially kill to feed. That’s all the motivation they require. How silly would it be to give a shark a tragic origin story? About as silly as setting a film in Lithuania and France with French and Lithuanian characters and then having everybody speak English. Or assigning Hannibal (Gaspard Ulliel) a Japanese mentoress (played by a Chinese actress) who teaches him martial arts, which he must have tucked away in the attic of his Memory Palace and never bothered to dust off ever again. Or shooting a scene where Hannibal finds and wears a mask that must have belonged to a cannibalistic samurai. Hannibals puts it on and looks straight ahead, all but winking at the camera. Talk about determinism. The makers of Hannibal Rising (2007) were so pleased with this superfluous nod to their betters that they forgot to give Hannibal a mask of sanity, with Ulliel never not in Crispin Glover mode. Hannibal can easily fool a polygraph — never mind that polygraph tests mean very little — but when and how did he pick up this particular ability? I gu
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