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After life there is more. The end is just the beginning.
After Chris Nielsen dies in a car accident, he is guided through the afterlife by his spirit guide, Albert. His new world is beautiful and can be whatever Chris imagines. Even his children are there. But, when his wife, Annie, commits suicide and is sent to hell, Chris ignores Albert's warnings and journeys there to save her. Upon arrival, Chris finds that rescuing Annie will be more difficult than he'd imagined.
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Contemplative, overwhelming, earnest and contemporary.
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Hindsight, and all that, but I wonder how much of the things going through the mind of his character here were actually going through the mind of Robin Williams himself in his later life? Here, he is doctor “Chris” who quite literally collides with “Annie” (Annabella Sciorra) in their boats, and the whirlwind that ensues sees them married and living in the USA. An accident in a road tunnel sees him try to help a stranded driver, but before he can assist he comes a cropper himself and is soon up in heaven being looked after by Cuba Gooding Jnr. So far, it does sound quite heavenly! Unfortunately, “Annie” just cannot handle life without her new husband especially as this is not the first time tragedy has affected her life, and now she is truly bereft. Her solution sees her sent elsewhere and so “Chris” has to convince his new friend “Albert” that - yep - true love conquers all, even in matters of heaven and hell. To prove that very point, he decides to sacrifice his Elysian existence and set off to find her - but that is a journey fraught with emotional pitfalls that build on his memories of her, their family, and of his own frailties. Upon his journey, he is also to have the sagely
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Closest on the same fourteen dimensions, from everything scored on Taste Buds. Other media included when they land close.
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“Is What Dreams May Come emotionally manipulative?”
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