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The movie ACME doesn't want you to see.
After Acme products fail him one too many times in his dogged pursuit of the Roadrunner, Wile E. Coyote decides to hire a billboard lawyer to sue the Acme Corporation.
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Coyote vs. Acme - Movie Review
Jeremy Jahns · Aug 2026
Mark Kermode reviews Coyote vs. Acme
Kermode and Mayo's Take · Aug 2026
Coyote vs. Acme - Movie Review
Chris Stuckmann · Aug 2026

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Written by TMDB members; each links to the original. Not part of Taste Buds's numbers.
*Coyote vs. Acme* finally got released after Warner Bros. tried to shelve the project for a $30 million tax write-off. It is exactly as I expected it to be: Funny, action-packed, emotional, and self-aware. The blend of live-action and animation is really cool because the real humans use animated props in the same vein as *Who Framed Roger Rabbit*, but the reason it feels more believable here is because instead of puppeteering the animated props, the human actors hold stand-ins that get replaced in post-production before release. Yes, I honestly believe actors holding real props and then replacing them in the editing is more believable than puppeteering because how do you puppet an animated prop? Anywho, the characters' roles in the movie, specifically the *Looney Tunes* characters, felt like an homage to classic crime films, like how Bugs Bunny's role as a whistle blower is similar to Deep Throat from *All the President's Men* (1976). Will Forte and John Cena's live-action acting was also great, delivering some funny moments together, while Forte also provides some emotional scenes between him and Wile E. Coyote. My only issue is that Wile E. Coyote still doesn't talk. This might c
Read the whole review on TMDBThe Acme Corporation has finally met an adversary it can’t flatten with an anvil: a courtroom, and the result is an unexpectedly charming Looney Tunes comedy in *Coyote vs. Acme*. The premise is inspired: after yet another Acme product goes spectacularly wrong, Wile E. Coyote takes the company to court with the help of a down-on-his-luck lawyer. It is exactly the kind of ridiculous escalation that feels appropriate for a character who has spent decades ordering increasingly elaborate devices to catch one very fast bird. Better yet, the film actually makes something of the idea, turning Acme’s absurd catalog into the basis for a surprisingly effective corporate satire. Most importantly, the movie feels like Looney Tunes. The slapstick is broad, the visual gags come fast, and the dialogue occasionally has the same mischievous snap as the cartoons. Not every joke hits its target, but there are enough genuine laughs to keep the comedy firing. The satire is similarly effective, poking fun at corporate indifference and legal maneuvering without becoming so self-important that it forgets this is, fundamentally, a movie about a coyote suing a cartoon company. The live-action and animation
Read the whole review on TMDBYou won’t often see me review animated films. That’s because I remember what cartoons were like when I was growing up as a Baby Boomer, and I loved them (especially Looney Tunes). In fact, in my view, most of today’s headache-inducing animation is overly manic and overly silly, releases that pale in comparison to those classic old school offerings. For those who agree with me, however, there’s a new release out there that serves as a fitting homage to those works of days gone by that pays a fitting tribute to them while simultaneously incorporating fresh, contemporary material that does justice to its source material, “Coyote vs. Acme.” Based on the long-running comical desert conflict between the Road Runner and the bird’s perpetually unsuccessful nemesis, Wile E. Coyote, this feature-length tale brilliantly fuses animation and live action (in the same vein as “Who Framed Roger Rabbit?” (1988)) in an inventive new story. When the Coyote realizes that all of his efforts to entrap his target using an assortment of inherently faulty products from the infamous Acme Corp., he decides to try a new tactic to fulfill his goal: sue Acme in court, with the Road Runner serving as a firsthand
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