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After a car crash kills her boyfriend, piano student Laura is taken in by Betty, who witnessed the accident. Living with Betty's family brings comfort, but Laura starts questioning their intentions as time passes.
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Prestige, contemplative, intimate and open-ended.
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Written by TMDB members; each links to the original. Not part of Taste Buds's numbers.
For what it’s worth, some movies are just plain forgettable. That’s especially true when a picture’s narrative is driven by a slew of ambiguities, leaving viewers wondering what the film is actually about. And that approach, for whatever purpose it supposedly serves, characterizes many of the works of writer-director Christian Petzold, who employs it once again in his latest offering. Laura (Paula Beer), a listless, ostensibly withdrawn music student at a Berlin university, embarks on a weekend getaway to the German countryside with her partner, Jakob (Philip Froissant), and two friends (Hendrik Heutmann, Victoire Laly). But, while on a stop in their journey, Laura says she’s not feeling well and would like to return home, a source of noticeable irritation for her boyfriend. He brusquely agrees to drive her to a nearby train station, but, while on the way there, the couple is involved in a horrific car accident in which Jakob is killed. Laura, fortunately, only suffers minor injuries, a revelation that surfaces when she’s found by a mysterious middle-aged woman, Betty (Barbara Auer), who lives in a nearby rundown country home. Laura turns down an offer to go to a hospital for furth
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Closest on the same fourteen dimensions, from everything scored on Taste Buds. Other media included when they land close.
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