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Horror, Thriller, Science Fiction, Mystery 109 min
Metacritic49IMDb
Richard Burton is the man with the medusa touch... he has the power to create catastrophe.
A French detective in London reconstructs the life of a man lying in hospital with severe injuries with the help of journals and a psychiatrist. He realises that the man had powerful telekinetic abilities.
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Bleak, contemplative, spare and unpretentious.
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Written by TMDB members; each links to the original. Not part of Taste Buds's numbers.
Though top billed in this, Richard Burton features but sparingly as a man with a tortured past. His recollections to his psychiatrist "Dr. Zonfeld" (Lee Remick) are relayed to police inspector "Brunel" (Lino Ventura) after he ("Morlar") is found savagely beaten at his London flat. As the investigation expands, it is clear that the normal rules do not apply here. "Morlar" shouldn't even be alive, yet his brain activity coupled with a spate of accidents and with the ever more revealing - but sensational - revelations about his disaster-prone past lead "Brunel" and the Assistant Commissioner (Harry Andrews) to a conclusion that, well, they just cannot believe. Ventura is good in this, as is the understated, but effective Remick. There are plenty of twists that keep the obvious from becoming too obvious, too soon, and when called upon, Burton contributes well in a sort of manic, epitome of evil, manner. It is a bit dialogue heavy at times, but the last twenty minutes are great drama well put together. A good bit of telekinetic terror!
Read the whole review on TMDB_**Beware the ‘deathlook’ of Richard Burton**_ A writer in London is convinced he has the power to cause destruction at will (Richard Burton) and it’s driving him mad. Lee Remick plays his psychiatrist while Lino Ventura is on hand as a Scotland Yard detective. "The Medusa Touch" (1978) is a slow burn psychological thriller/horror that takes the psychokinesis element of “Carrie” but throws in the mass disaster angle of the later “The Mothman Prophecies” (2002). Other films covering this kind of mind power include "Powder" (1995), "Phenomenon" (1996) and “Youth Without Youth” (2007) with the difference here being that the protagonist’s party trick is mayhem rather than benevolence. Like the original Star Trek pilot, “Where No Man Has Gone Before” (1966), the theme is power corrupts and absolute power corrupts absolutely. For instance, if Morlar (Burton) wanted to illustrate his power to the therapist, why not simply lift up her dress or something else harmless, such as picking up a chair? Like Bruce Banner, his gift (or curse) only manifests when provoked to anger. Remick was the youngest adult cast member at 42 during shooting. I’m not an ageist, but the rest of the cast is glaring
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