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Estranged siblings reunite after years apart, forced to confront unresolved tensions and reevaluate their strained relationships with their emotionally distant parents.
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Contemplative, prestige, character-led and spare.
2 profiled raters. Loved most by The Prestige Hunters.
One of the best things I have watched this year. Its calm pace is its secret weapon. Serious in intent and in execution. Straight onto my favourites.
A few lines from each review; the whole review is on the critic's site. Not part of Taste Buds's numbers.
Jim Jarmusch explores the awkwardness and closeness of parents with their grownup children in three slyly comic panels of drama set in the US, Dublin and Paris
Jim Jarmusch’s uneven triptych, a prizewinner at Venice, saves its best segment for last.
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Closest on the same fourteen dimensions, from everything scored on Taste Buds. Other media included when they land close.
Recommendations from TMDB. Opening one adds it to Taste Buds
Answer first; then see how everyone, and your circle, split.
“Is it too cool to love?”
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“Is Tom Waits the best thing in Father Mother Sister Brother?”
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“Is the ambiguity a cop-out?”
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