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Two young missionaries are forced to prove their faith when they knock on the wrong door and are greeted by a diabolical Mr. Reed, becoming ensnared in his deadly game of cat-and-mouse.
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Intimate, bleak, contemplative and contemporary.
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<em>'Heretic'</em> has its cast to thank for me fully enjoying it. The plot is most certainly suitably entertaining, don't get me wrong, but by the end it was almost wearing a tiny bit thin - and perhaps would have if not for those on the screen. All in all, though, it's a fun psychological horror. Hugh Grant is tremendous in the main role, he is an actor that has the chops to do this genre - I've said it before, but I found his character in the <em>'Bridget Jones'</em> flicks to be creepy so that was all the proof I needed for the aforementioned to be true. Grant is certainly creepy here. Chloe East and Sophie Thatcher are also good value, particularly the latter; this and 2025's <em>'Companion'</em> make for impressive work of her's - keen to see more. Along with the noted thinning, the end is a bit iffy but I'm happy to overlook any potential issues I may hold with it tbh.
Read the whole review on TMDBWritten and directed by Scott Beck and Bryan Woods (65, Haunt, writers of A Quiet Place), Heretic is a so-called psychological horror that is disappointing on all fronts. After only seeing the trailer once months ago, I initially thought that Heretic was a film about a serial killer (Hugh Grant) who used his crazy mouse trap-contraption house to lure in religious, door-to-door service people and kill them. While that is partially the case, Heretic follows two missionaries from The Church of Jesus Christ of Latter-day Saints; Sister Barnes (Sophie Thatcher, The Book of Boba Fett) and Sister Paxton (Chloe East, The Wolf of Snow Hollow). The two women go to the house of Mr. Reed (Grant) who has expressed interest in hearing more about their religion. As Sister Barnes and Sister Paxton make their way inside, they soon find themselves trapped in Mr. Reed’s bizarrely intricate home featuring electricity on a timer, a front door that supposedly won’t open again until morning, and that the house being made of metal blocks cell phone signals. Reed, a theology major with vast knowledge of all religions, claims to have found the one true religion. Whether the two women will escape or if Reed
Read the whole review on TMDBNo matter what anyone might say, putting lipstick on a pig doesn’t change the fact that one is still dealing with a pig. And that’s very much the case with this dismally failed attempt at smart horror from writer-directors Scott Beck and Bryan Woods. When two naïve Mormon missionaries (Sophie Thatcher, Chloe East) visit the remote home of a creepy, loquacious middle-aged loner (Hugh Grant) in an attempt to convert him, the trio launches into a protracted conversation about the nature of “the one true religion.” To a certain extent, it’s an intriguing philosophical discussion – at least for a while – until it gradually descends into a series of longwinded fits and starts characterized by disjointed, unrelated, unresolved segments that try viewer patience. The dialogue increasingly amounts to a series of overwrought contrivances undermined by implausible character development, particularly among the two supposed innocents who begin spouting lines that are difficult to accept in light of their supposedly gullible, unsophisticated nature and narrow worldview. But then, in a desperate attempt to retain fading audience attention, the picture degenerates into little more than a meandering
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“Is Hugh Grant the best thing in Heretic?”
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