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Wealthy businessman Zsa-zsa Korda appoints his only daughter, a nun, as sole heir to his estate. As Korda embarks on a new enterprise, they soon become the target of scheming tycoons, foreign terrorists, and determined assassins.
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Meticulous, comic, epic and effortless.
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FULL SPOILER-FREE REVIEW @ https://talkingfilms.net/the-phoenician-scheme-review-for-fans-and-skeptics-alike-a-more-accessible-entry-point-into-wes-andersons-world/ "The Phoenician Scheme is yet another clear example of Wes Anderson's singular vision, with the filmmaker continuing to provide space for every department to shine - from Adam Stockhausen's extravagant production design to Alexandre Desplat's witty score, and Bruno Delbonnel's immaculately aligned cinematography. However, it's in the thematic exploration where the film reaches a rare point of balance: by portraying the transformation of a man consumed by vanity and ambition into a vulnerable and redeemed father figure, the writer-director offers a genuine reflection on regret, family reconnection, and personal sacrifice. The subtle yet intentional performances by Benicio del Toro, Mia Threapleton, and Michael Cera reinforce that emotional core, bringing humanity to a meticulously artificial world." Rating: B
Read the whole review on TMDB<em>'The Phoenician Scheme'</em> is Wes Anderson being Wes Anderson (complimentary). I loved this! <em>'Fantastic Mr. Fox'</em> and <em>'The French Dispatch'</em> are works of this director that I've enjoyed most, but this 2025 release is on another level for me. It's as amusing as it as stunning, Anderson films are unmistakably Anderson and this one is no different; it has everything you'd expect from a picture of his. The all-star cast list is usual for his flicks as well, here there are plenty of actors that I enjoy; so it was never gonna disappoint, I guess. Benicio del Toro is an outstanding lead, I've always liked him as an actor (<em>'Sicario'</em>, <em>'The Hunted'</em>) but this is his first performance (at least from the ten flicks featuring him that I've now seen) that is truly top notch in my mind; one impossible to forget, without doubt. Mia Threapleton is the only prominent onscreen performer that I wasn't previously aware of; weirdly mind, because I recognised her voice 100% but when looking at her filmography, it turns out I've apparently not seen her in anything - odd, perhaps someone sounds just like her? Where to begin in regards to the rest of the cast? Michael
Read the whole review on TMDBUnlike a few of the more recent Wes Anderson films, I thought this had more of a substantial story to underpin the antics as it follow the quite literally death-defying activities of entrepreneur “Korda” (Benicio del Toro). Now he’s made his squillions somewhat disreputably and has frequently been the target of assassins, so after this latest attempt sees him face down in the desert, he decides it’s time to make his will. He has loads of sons but just one daughter. She’s a nun, sworn to holy orders and is called “Liesl” (Mia Threapleton). Now she’s not the sort of “Liesl” we saw with Julie Andrews, this one is ruthlessly savvy and switched on as her father embarks on his most ambitious, secretive and toxic scheme yet - and that’s only going to further irk “Excalibur” (Rupert Friend) whom we know is running the “SPECTRE” style organisation determined to thwart his plans and see him six feet under. I suppose the snag with this film is that it isn’t so radically different, stylistically, from any of his recent stuff nor does the presence of his usual slew of Willem Dafoe, Scarlett Johansson and Tom Hanks et al really offer us much by way of different or substantial characterisations f
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“Is the polish hiding a lack of heart?”
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