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On the Eastern front in 1943, the German soldiers no longer had any ideals. They were not fighting for the Party—but for their lives!
It is 1943, and the German army—ravaged and demoralised—is hastily retreating from the Russian front. In the midst of the madness, conflict brews between the aristocratic yet ultimately pusillanimous Captain Stransky and the courageous Corporal Steiner.
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Bleak, overwhelming, meticulous and character-led.
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The aristocratic "Capt. Stransky" (Maximilian Schell) is put in charge of an accomplished squadron of men that works well under its no-nonsense "Sgt. Steiner" (James Coburn), and into battle against the approaching Soviets they go. A bloody encounter ensues and upon their return, victorious to a point, to their trenches he encourages "Col. Brandt" (James Mason) to nominate him for an Iron Cross. He cites two officers as the witnesses to his bravery, but "Steiner" decides not to play ball. "Stransky" is livid, but plays a long game that ends up seeing the squad left unaware of marching orders and left adrift in the face of an enemy with overwhelming superiority. "Steiner" must now galvanise his already exhausted and demoralised soldiers and try to work their way through increasingly hostile territory to make it back to their own lines. Sam Peckinpah uses the Soviets as his foe here so that avoids any unpatriotic accusations back home, and allows him to deliver a gritty and authentic looking wartime drama that focusses way more on the human beings involved. Their flaws and their strengths are illustrated as each is tested to his own individual breaking point - all whilst shells and b
Read the whole review on TMDB**_Brutal Germans vs. Russians WW2 flick with James Coburn and Maximilian Schell_** As defeat looms on the Eastern Front, an awarded, but battle-worn German NCO (Coburn) vies with a newly-appointed captain, a Prussian aristocrat, who’s obsessed with obtaining the Iron Cross (Schell), even if he has to get it by fraud. James Mason and David Warner have peripheral roles. Loosely based on the true story of Johann Schwerdfeger, “Cross of Iron” (1977) was helmed by Sam Peckinpah and, therefore, is unsurprisingly filled with bloody carnage (much of it in slow-motion), alcohol-consumption and a generally pessimistic view of life. As typical, the protagonist is a loner who desires to be honorable but is forced to do whatever is necessary to survive in a world of nihilism and brutality. Some might complain that Coburn was 48 playing a man who was 28 at the time of the events. Yet producers were naturally more interested in a big-name actor with the charisma to fill seats at the cinema than they were in being technically accurate. And, honestly, Coburn’s performance is one of the top attractions. As far as I know, this was the first major film released in North America to be set on the Easte
Read the whole review on TMDBWar is Peckinpah's survival hell. Out on the Eastern Front 1943, battered by the war itself, a war they are losing, a platoon of German soldiers must also cope with a new aristocratic commander who deeply covets the Cross Of Iron, Germany's highest medal of honour. Universally hated and panned by the critics upon release, Cross Of Iron now stands up as one of director Sam Peckinpah's finest works. On first glance it would seem to have been a strange film (genre) for Peckinpah to tackle, but scratch away at the scabs left by Peckinpah's trademark violence, and you see underneath that it sits comfortably with his character driven Western fables. Adapting from the much lauded novel by Willi Heinrich, Peckinpah is bleakly telling of men in combat, men who are not here for heroics, they are merely trying to survive, the realities of war draining their last bit of strength by the day. Then it's at the mid point when you realise that Peckinpah (possibly chuckling away into his stein of beer) has neatly led us into sympathy for the enemy of the good old war film, the German soldier. All cloaked by death dealer Peckinpah himself, with slow-mo blood baths and poetic like harshness emphasisin
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