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Follows Prince Naseem Hamed from his humble beginnings on the tough working-class streets of Sheffield and his discovery by Ingle, himself a steel industry worker turned boxing trainer. Their unlikely partnership, Naz’s unorthodox style, cocky persona, and sheer dominance in the ring propelled them to the top of boxing’s elite and unprecedented levels of global superstardom, all in the face of the rampant Islamophobia and racism of ’80s and 90’s Britain.
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Resolved, classical in form, earnest and effortless.
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Three lads had a go at playing Naseem Hamed in this drama, and for me it was the twelve year old version (Ali Saleh) who just pipped his seven year old version (Ghaith Saleh) to the title of best of the three. That meant that the adult version, Amir El-Masry didn’t really shine for me as this hugely charismatic man. And charismatic he certainly is - I had lunch with him and Frank Warren in Knightsbridge once and it was great fun! Anyway, I name-drop. The Hamed family were growing up in a Sheffield that wasn’t the easiest place for people of colour and their shopkeeping mother was aware that Brendan Ingle (Pierce Brosnan) ran a boxing gym nearby. She convinces him to let them learn a little bit of self defence, and in return for some shockingly tone-deaf singing he agrees. The youngest, Naseem, isn’t daft enough to sing though - he just demonstrates the kind of footwork hitherto reserved for Michael Jackson and his trainer thinks he spots something special. Weighing in at just over seven stones, he gets his first fight and this follows his subsequent career through to his meeting with legendary promoter Warren (Toby Stephens) and then onto the “Garden” before the wheels began to com
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“Would a little humor have helped?”
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