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Killing is perfect. Life isn't.
Chisato and Mahiro must pay four years of overdue fees or lose their membership in their assassin guild. They take part-time jobs, but find themselves in the middle of an armed robbery and being hunted by other assassins.
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Relentless, meticulous, effortless and contemporary.
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I liked it when i first saw it but absolutely loved it even more when i rewatched it. I've already given so much praise towards the comedy and direction of Yugo Sakamoto, as well as the amazing choreography from Kensuke Sonomura and the acting of the two leads Saori Izawa and Akari Takaishi. But in here Sonomura and Sakamoto fuse their styles even further giving Baby Assassins it's more unique action-comedy style. I also like how they show the evolution of a character through choreography especially with Izawa's character Makoto. Who at first was a more straightforward scrappy character but now has more similar fighting techniques with Mimoto's character in the first film, utilizing more haymakers and vision blocking. Amazing use of non-verbal storytelling and action design. But what i would really like to focus on here is the two brothers Iwanaga and Hamada, and how it relates to the film brilliant continous commentary on Capitalism and Labor. The two brothers and the two babies for both commentary and comedy reasons mirror each other very often in the film. At the start we see the two brothers do a job similar to the opening fight scene in the first movie. The fight gets scrappy
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Closest on the same fourteen dimensions, from everything scored on Taste Buds. Other media included when they land close.
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“Is Akari Takaishi the best thing in Baby Assassins 2?”
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“Is it funnier than it is smart?”
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