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In this edge-of-your-seat thriller inspired by real events, a British police officer and a Jewish woman fall in love amidst the political turmoil of 1930s Tel Aviv. With British control over Palestine precarious and conflict inevitable, everyone is forced to choose a side.
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Raw, plot-driven, bleak and grave.
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This is a curiously undercooked iteration of a story that well exemplifies that expression about one man's terrorist being another's freedom fighter. It's the underwhelming Douglas Booth who is Wilkin, a police detective based in British-administered Palestine and a man who has a semblance of decency to him. His boss "Chambers" (Ian Hart) is a bit more of a player, though - and he drafts in the much more "hands-on" Morton (the unremarkable Harry Melling) to get results more quickly - not least the apprehension of Stern (Aury Alby) who is determined to establish a Jewish homeland and doesn't much care which tactics he uses to accomplish that. The personal story is largely historical fact, so there's no real jeopardy here, but it's an interesting postulation on just how the British tried to administer a region and a population that had no interest in being administered, and that was being logistically manipulated with the shortest of term vision for anyone's future. Palestinian and Jew could agree on just one thing - get the UK out, but thereafter there was little consensus as the bombs and the bullets continued to fly. To be honest, I found the contribution of the eponymous woman (I
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