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Drama, Fantasy, Horror 150 min R
Only monsters play God.
Dr. Victor Frankenstein, a brilliant but egotistical scientist, brings a creature to life in a monstrous experiment that ultimately leads to the undoing of both the creator and his tragic creation.
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Contemplative, overwhelming, meticulous and bleak.
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Guillermo Del Toro's Frankenstein - Is It Good or Nah?
Schaffrillas Productions · Nov 2025
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Written by TMDB members; each links to the original. Not part of Taste Buds's numbers.
_“An idea, a feeling became clear to me. The hunter did not hate the wolf. The wolf did not hate the sheep. But violence felt inevitable between them. Perhaps, I thought this was the way of the world. It would hunt you and kill you just for being who you are.” _ _**Frankenstein** (2025)_ is truly a gem. This reminded me a lot of the original and the connection between what is human and what is monstrous was reflected well in the script. The cinematography and editing fit this story perfectly. Why is it always women who humanize what others perceive as dangerous? Mia Goth portrayed Elizabeth beautifully and she fits the gothic genre to a T. I love how they showed the way each character interacted with him and how one humanized him (pronouns: he) and the other dehumanized him (pronouns: it). Some things were a little too on the nose. But Im letting it slide for the pure enjoyment and emotion the film provoked in me. If you’re going to ask if I cried, act like you know me. You know I did. Of course, I always praise Oscar Issac for any and everything he’s in. He brings characters to life so well I’d watch a film of him watching paint dry. I didn’t know Jacob Eldori was in this until th
Read the whole review on TMDBSuch a Terrifying entrance for the film and the Horror of what is happening that we are to be witness to. Mia Goth is a Force to be Reckoned with, and the more you're witness to her Veracity, the more she gives each character and she is Unparalleled. The visuals are exceedingly spectacular and colorful, and the dark hues filled with a beautiful gothic macabre to each piece, making a whole. A new perspective comes to light, one of Loneliness, Trauma, and of Yearning to part of this life as we call it. Life lessons are being learned and lived, even if only too briefly, and then once again, the inevitable search through the loneliness continues. Such a Beautifully Haunting version of a favorite tale I've sought after, in so many many years, to see in any incarnation. This is a must-see for fans of Gothic Literature, Especially the Frankenstein Novel.
Read the whole review on TMDBThis has got be Oscar Isaac at his best yet, depicting the obsessive scientist hell-bent on proving that he could use science to defeat death itself. He is the son of an acclaimed but rather brutal physician (Charles Dance) and is galvanised further to his chosen path by the sudden death of his mother. His theories disgust civilised society but the wealthy “Harlander” (Christophe Waltz) agrees to fund his experiments to what he hopes will be their logical conclusion. Now secreted away in his remote castle, and quite literally cannibalising spare parts from graveyards and mortuaries alike, he awaits that lightning storm that could just bring Jacob Elordi to life. The problem for the Baron is that he is disappointed with his creation and has no concept that it looks to him very much as a father. Imprisoned in the basement, the “monster” is befriended by “Elizabeth” (Mia Goth) who sympathises with it’s ghastly predicament - but before she can help a great conflagration sets in train a cat and mouse struggle between created and creator that takes them to the depths of the frozen wastes where an exploration ship is trapped in thick pack ice - where our story both starts and concludes. I
Read the whole review on TMDBChecking availability…
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If you loved this film, the television, the book, the music, the game.
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