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Documentary, Music 98 min R
The story of the black, gay origins of rock n' roll. It explodes the whitewashed canon of American pop music to reveal the innovator – the originator – Richard Penniman. Through a wealth of archive and performance that brings us into Richard's complicated inner world, the film unspools the icon's life story with all its switchbacks and contradictions.
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Character-led, nostalgic, earnest and prestige.
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Written by TMDB members; each links to the original. Not part of Taste Buds's numbers.
Sometimes it takes a movie to help set the record straight. And, when it comes to designating who truly is the king of rock ’roll, this documentary from director Lisa Cortes does just that. Richard Wayne Penniman – professionally known as Little Richard (1932-2020) – burst onto the pop music scene in the mid-1950s with a singular, unrestrained, high-energy style that set him apart from other aspiring performers at the time, achieving tremendous success with hits like “Tutti Fruitti” and “Long Tall Sally,” among others. However, even though he developed a strong following and a reputation for chart-busting releases, he never quite attained the widespread notoriety of others, like Elvis Presley and Pat Boone, particularly when they covered his hits. He also didn’t achieve the financial success that he deserved, thanks to record labels that gave him raw deals. What’s more, as a flamboyant, openly gay Black musician at a time when those qualities were far from well tolerated, he became a target for ostracism and scorn from conservative circles, whose leaders spouted inflammatory claims that he was undermining the moral fabric of traditional American culture with his “decadent” music an
Read the whole review on TMDBI admit to not really knowing so much about this enigmatic and flamboyant man, and I found this effort from Lisa Cortes to be quite an engaging and enlightening introduction. Using a mix of actuality and some soundbites, we are presented with an observational documentary of an outwardly gay man who can truly claim to have "invented" rock 'n roll - with over a dozen, instantly recognisable, toe-tappers to his name. As ever, we have the usual music industry shenanigans, his flirtations with sex, drugs, booze and ultimately, his rediscovery of religion as possibly his only lifeline. It's a well paced analysis but I could have been doing with more of his actual performances - especially as his songs tended to be so very short. It's still quite astonishing that so much footage does still exist and the use of the early material really does work well to illustrate not just how captivating he was as an entertainer, but also how effective he - and his music - was at offering some (limited) conduits for racial and sexual integration at a time when segregation was still rife and homosexuality still very much illegal. A fascinating insight not just into this man, but into the times in which he
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