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Doyle is bad news—but a good cop.
Tough narcotics detective 'Popeye' Doyle is in hot pursuit of a suave French drug dealer who may be the key to a huge heroin-smuggling operation.
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Meticulous, plot-driven, bleak and epic.

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Though he's not top-billed here, I found it's Fernando Rey who delivers best in this brutal and authentic-looking story of trans-Atlantic drug smuggling. Popeye (Gene Hackman) and his pal Russo (Roy Scheider) are detectives in New York determined to bring down a network of cocaine importers who are bringing the lucrative white powder in from Marseille. They suspect that it's Charnier (Rey) who is masterminding the whole enterprise, but they can't pin anything down on him. He hides in plain sight, clad in cashmere with a distinctive hat and dining in fine establishments - but always beyond their grasp. He almost teases the increasingly frustrated policemen who stray ever closer to the line as they try to apprehend him. Will either of them ever crack? Hackman is on great form as the exasperated cop and the drip-roast effect of the plot development from director William Friedkin makes that even more potent, especially when coupled with the flagrant nonchalance of his quarry, with a powerful score from Don Ellis and one of the best city car chases you'll ever see on a big screen. Scheider does enough, and there are also quite a few effective supporting contributions from the likes of A
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Closest on the same fourteen dimensions, from everything scored on Taste Buds. Other media included when they land close.
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39 profiled raters. Loved most by The Prestige Hunters; disliked most by The Comfort Seekers.
If you loved this film, the television, the book, the music, the game.
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