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Heidi, a radio DJ, is sent a box containing a record - a "gift from the Lords". The sounds within the grooves trigger flashbacks of her town's violent past. Is Heidi going mad, or are the Lords back to take revenge on Salem, Massachusetts?
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Witchcraft/Satanism in modern Salem by Rob Zombie RELEASED IN 2012 and written/directed by Rob Zombie, "The Lords of Salem" is a witchcraft/horror flick starring Sheri Moon Zombie as a DJ in Salem, Massachusetts, who is sent a wooden box containing a mysterious record dubbed "gift from the Lords.” The creepy music thereof triggers flashbacks of her town's infamous past. Is Heidi going crazy or are the witches taking revenge on Salem? The ambiance, mood, directing, music, locations, sets and cast are all top notch, showing that Zombie has developed into a quality director since his first shot eleven years earlier with “House of 1000 Corpses,” which was shot in 2000. This is serious haunting horror as opposed to the campy black comedy of “1000 Corpses” (not that there’s anything wrong with that, lol). The movie mixes elements from "The City of the Dead,” aka "Horror Hotel" (1960), “Suspiria” (1977), “Rosemary’s Baby” (1968), “The Wicker Man” (1973) and “To the Devil a Daughter” (1976). If you like any of these movies, “The Lords of Salem” is as good or better. Usually when you see old hag witches in movies it’s kinda eye-rolling; not so here. Rob gives us the real deal and it’s not p
Read the whole review on TMDBThe Lords of Salem is the latest film by industrial rocker-turned-auteur Rob Zombie, and I think it's a good'un, although it's already polarizing people. Sheri Moon Zombie (Rob's wife who features heavily in all of his movies, though this is her first star turn) is Heidi, a recovering addict and local rock DJ in Salem, Massachusetts, site of the infamous witch trials of 1692. She receives a vinyl record in a wooden box from a band apparently called The Lords, who later on also inform the station that they are performing a one-off gig in the town. Upon playing the record at home however, Heidi experiences migraines and hallucinations of a 17th century coven, performing some manner of birthing ritual, apparently attempting to bring Satan himself to mortal life. Her male DJ colleagues simply experience the tune as a weird, rather turgid dirge (although it'll stick with you like a demonic earworm) and play it over the air on their rock show, where it acts as a sort of trance-inducing spell on many of the women listening. From there on in, Heidi's mental state begins to deteriorate and the migraines/hallucinations increase, not helped by her return to drugs or by her peculiar landlady a
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