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A Way of Life
Based on the 1973 rock opera album of the same name by The Who, this is the story of 60s teenager Jimmy. At work he slaves in a dead-end job. While after, he shops for tailored suits and rides his scooter as part of the London Mod scene.
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Nostalgic, bleak, character-led and overwhelming.
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Brought up indifferently by parents who couldn't care less, "Jimmy" (Phil Daniels) goes through the motions at work only so he can afford to live the life of a pill-popping "Mod" riding around on his beloved Lambretta scooter. He's in his element, initially, but the adrenalin rushes start to wear off and his search for more exhilaration takes him on a trip to Brighton where an all out battle ensues on the beach with the motor-cycling "Rockers". The results of that opens his eyes a little to the realities of life but now he struggles with adjusting and this leads to a sense of loneliness, isolation and even paranoia. The film is accompanied by The Who's eponymous soundtrack and it's at these points it is most effective, presenting a poignant and rather bleak look at pre-Thatcherite Britain that illustrates just how little hope there was for many and at how almost tribal existence could be on the streets fuelled with conflict, depression and confusion. At times it's a really intense and well focused drama and Daniels is ideally suited for his character. The rest of it is all a bit so-what, though. This hasn't aged particularly well and though maybe unfair to review 40-off years later
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