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Hollywood is a killer.
In 1980s Hollywood, adult film star and aspiring actress Maxine Minx finally gets her big break. But as a mysterious killer stalks the starlets of Hollywood, a trail of blood threatens to reveal her sinister past.
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Nostalgic, bleak, plot-driven and meticulous.
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Written by TMDB members; each links to the original. Not part of Taste Buds's numbers.
Maxxine is the third installment in a confusing trilogy of movies. After enduring the first film, X, which was essentially a low-quality adult film, and only partially watching the second film, Pearl, which was equally disappointing, I had low expectations for Maxxine. Assuming it would follow the same pattern, I made sure no children were present before watching it alone. Surprisingly, Maxxine had less nudity, only appearing twice, compared to its predecessors. Instead, it focused more on horror and thriller elements, following an aspiring actress being stalked by a serial killer named Knight and another mysterious figure out to harm her. While this film didn't win me over completely, I appreciated that it actually had a plot and some semblance of a storyline, unlike the previous entries in the trilogy. For those who enjoy quirky, over-the-top thrillers with unconventional writing, Maxxine may be worth a watch. However, if you prefer gripping, edge-of-your-seat thrillers, this may not be the film for you. After viewing Maxxine, I concluded that it was not something I would revisit or add to my collection. It's the kind of movie you watch once and then move on from, ticking it off
Read the whole review on TMDBThere’s a lot to appreciate about “MaXXXine,” writer/director Ti West‘s latest film in his horror trilogy, even if he doesn’t quite stick the landing. The whole project feels like, as one of his characters says in one of the film’s most memorable lines, a “B-movie with A+ ideas.” There’s plenty of blood and gore to appease slasher fanatics, but there’s a depth to the film that comes from the hefty themes about sex, opportunity, religion, and Hollywood’s dark underbelly. Set in Los Angeles in the mid-1980s, adult film star and aspiring big studio actress Maxine Minx (Mia Goth) finally gets her big break into the mainstream. She’s been cast in a supporting role in a horror movie sequel and is set to work with up-and-coming director Elizabeth Bender (Elizabeth Debicki). Things are looking up for Maxine career-wise, but a mysterious stalker who is targeting the starlets of Hollywood seems to have her directly in his sights. When a trail of blood makes it clear that several murders are directly connected to her, Maxine starts to worry that her sinister past is going to be exposed. The first half of the film is also the best, and West fully embraces the decadence and danger that goes alo
Read the whole review on TMDBDespite her rather florid past, the eponymous porn star (Mia Goth) is determined to make it in the mainstream and seems well on her way when director "Elizabeth Bender" (Elizabeth Debicki) casts her as the lead in the sequel to her own successful first feature. Whilst this is all going on for "Maxine Minx", there is a serial killer on the loose in Los Angeles and the police seem to think that maybe she is involved. Obviously she's not the perpetrator of these vicious acts, but might she somehow be the ultimate target? A rather curious meeting with private eye "Labat" (Kevin Bacon) suggests that she might want to go a mysterious address where she might learn the truth, but she has her own ideas so with the help of her agent/manager/enforcer "Teddy" (Giancarlo Esposito) and a car crusher sets up quite a perilous face-off with a man in black gloves who lives behind a set of green doors. At times this is quite an attitudinal film and Goth does fine, but (no pun intended) Bacon just hams it up too much. Debicki seems totally disinterested in her role and the rest of the cast add very little to a story that is too thinly stretched to pad out one hundred minutes before taking us to a rath
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