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This holiday season, be Italian.
Arrogant, self-centered movie director Guido Contini finds himself struggling to find meaning, purpose, and a script for his latest film endeavor. With only a week left before shooting begins, he desperately searches for answers and inspiration from his wife, his mistress, his muse, and his mother.
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Nostalgic, character-led, contemplative and spare.
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***A famous director loses his inspiration and seeks aid from the various women in his life*** Released in 2009, “Nine” is a drama/musical about a famous Italian director in 1965 (Daniel Day-Lewis) who loses his inspiration, but its urgent he gets it back because his ninth movie is set to start shooting in ten days and he doesn’t even have a script. He turns to the several women in his life for succor: his wife (Marion Cotillard), his mistress (Penélope Cruz), his costume designer (Judi Dench), his star actress (Nicole Kidman), his mother (Sophia Loren), a fashion journalist (Kate Hudson) and a prostitute from his boyhood (Fergie). This is an adaptation of the 1982 Broadway musical, also dubbed “Nine,” which itself was based on Federico Fellini's semi-autobiographical 1963 film “8½.” It’s very similar to director Rob Marshall’s “Chicago” (2002), but with a different story, cast and location (Rome and points nearby). During the first half I wasn’t so sure about the story, but I eventually found myself absorbed into the life of the tormented director and his mid-life crisis. His unfaithfulness to his beautiful wife, Luisa (Cotillard), is off-putting of course, but maybe we should hav
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