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Do the pleasures of horror movies really begin and end in sadism? So the public discussion of film assumes, and so film theory claims. According to that view, the power of films like Halloween and Texas Chain Saw Massacre lies in their ability to yoke us in the killer's perspective and to make us party to his atrocities.
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Spare, cool, character-led and contemplative.
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On Open Library, 3 have read it and 29 want to.
“AT THE BOTTOM of the horror heap lies the slasher (or splatter or shocker or stalker) film: the immensely generative story of a psychokiller who slashes to death a string of mostly female victims, one by one, until he is subdued or killed, usually by the one girl who has survived.”
Closest on the same fourteen dimensions, from everything scored on Taste Buds. Other media included when they land close.