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In the novels that make up the U.S.A.trilogy—The 42nd Parallel, 1919, and The Big Money—Dos Passos creates an unforgettable collective portrait of America, shot through with sardonic comedy and brilliant social observation.
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“when you walk along the street you have to step carefully always on the cobbles so as not to step on the bright anxious grassblades easier if you hold Mother's hand and hang on it that way you can kick up your toes but walking fast you have to tread on too many grassblades the poor hurt green tongues shrink under feet maybe thats why those people are so angry and follow us shaking their fists they're throwing stones growup people throwing stones”
John Roderigo Dos Passos (January 14, 1896 – September 28, 1970) was an American novelist, most notable for his *U.S.A.* trilogy. In 1920, his first novel, *One Man's Initiation: 1917,* was published, and in 1925, his novel *Manhattan Transfer* became a commercial success. His *U.S.A.* trilogy, which consists of the novels *The 42nd Parallel* (1930), *1919* (1932), and *The Big Money* (1936), was ranked by the Modern Library in 1998 as 23rd of the 100 best English-language novels of the 20th century. Written in experimental, non-linear form, the trilogy blends elements of biography and news reports to paint a landscape of early 20th-century American culture.
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